·¹¿À³ª¸£µµ µðÄ«ÇÁ¸®¿À | ¸Ëµ¥ÀÌ¸Õ | ·¯¼¿Å©·Î | ÅèÅ©·çÁî | ÅèÇàÅ©½º | ·Î¹öÆ® µå ´Ï·Î | ´ÏÄÝ¶ó½º ÄÉÀÌÁö | °µ¿¿ø | Çöºó | ÇÏÁö¿ø | Å©¸®½ºÂù º£ÀÏ ÈÞ ±×·£Æ® | ÈÞ Àè¸Ç | ºó µðÁ© | µå·ù º£¸®¸ð¾î | ºê·¡µå ÇÇÆ® | Á¶Áö Ŭ·ç´Ï
- Feature Commentary by Director John Polson, Editor Jeffrey Ford and Screenwriter Ari Schlossberg (ÇÑ±Û ÀÚ¸· ¾øÀ½) : Á¸ Æú½¼ °¨µ¶, ÆíÁýÀÚ Á¦ÇÁ¸® Æ÷µå, °¢º»°¡ ÀÌ¶ó ½¯·Î½º¹ö±×ÀÇ À½¼º Çؼ³ - Alternate Endings: ´Ù¸¥ °á¸»µé Happy Drawing / Life with Katherine / One Final Game / Emily¡¯s Fate - Deleted Scenes: »èÁ¦ Àå¸é "Trying to Make This Work" / "Ever Been Fishing Before?" / Seeing the Cave / "Aren't We Going to Eat It?" / Charlie Gets Jealous / Red Lipstick / "He's Not Going to Like It" / "Psychologist by Default" / "It's Just Red Paint" / "I'm Waiting for Charlie" / "Sounds Like Fun" / "Afraid of the Dark" / "Looking at the Full Moon" / "I Don't Want to Go Back" - The Making of Hide and Seek: ¡®¼û¹Ù²ÀÁú¡¯ Á¦ÀÛ °úÁ¤ - Previs Sequences : »çÀü½Ã°¢È ½ÃÄö½º Charlie Chases Emily / Katherine Confronts Charlie / Final Moments Between David and Emily
- °ÑÀâÀ» ¼ö ¾ø´Â ¹Ì½ºÅ͸®¿Í Ãæ°ÝÀû ¹ÝÀüÀÇ ¼½ºÆ潺 ½º¸±·¯ - ¸í¹è¿ì ·Î¹öÆ® µå ´Ï·Î¿Í ´ÙÄÚŸ Æд×ÀÇ ÀüÀ²ÀÌ ´À²¸Áö´Â ¿¿¬ - Á¤½ÅÀû »óó¸¦ ÀÔÀº ¼Ò³à¿Í »ó»ó ¼Ó Ä£±¸°¡ ÆîÄ¡´Â À§ÇèÇÑ °ÔÀÓ - º¸ÀÌÁö ¾Ê´Â Ä£±¸ ¡®Âû¸®¡¯ÀÇ Á¤Ã¼¸¦ µÑ·¯½Ñ Àǹ®°ú Ä¡¸íÀûÀÎ Áø½Ç - <ij¸®ºñ¾ÈÀÇ ÇØÀû> <ÀÌ»óÇÑ ³ª¶óÀÇ ¾Ù¸®½º> ´Ù¸®¿ì½º Àª½ºÅ° ÃÔ¿µ - <ÀÛÀü¸í ¹ßÅ°¸®> <À¯ÁÖ¾ó ¼½ºÆåÆ®> Á¸ ¿ÀÅ丸 À½¾Ç
»óÈ£¸í:Çϳª±¸¹Ì Ent. | ´ëÇ¥ÀÚ:ÀÌ»óÁö | »ç¾÷ÀÚµî·Ï¹øÈ£:540-23-00808 540-23-00808 | Åë½ÅÆǸž÷¹øÈ£:Á¦ 2018-¼¿ïÁ߶û-0756È£ ÁÖ¼Ò:¼¿ï½Ã Á߶û±¸ ¿ë¸¶»ê·Î 405 (¸é¸ñµ¿) 302È£ | tel:070-8690-2030 °³ÀÎÁ¤º¸º¸È£Ã¥ÀÓ:±èµÎźÎÀå | E-mail | Copyright¨ÏPeysia all rights reserved