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Synopsis
¡á Issue Point¢Â º» ½Ã¸®ÁîÀÇ ¿µ¿øÇÑ ¾×¼Ç ¿µ¿õ ¸ä µ¥ÀÌ¸Õ VS. ÇÒ¸®¿ìµåÀÇ ¶°¿À¸£´Â ½ºÅ¸ Á¦·¹¹Ì ·¹³ÊÀÇ ½ºÅ¸Àϸ®½¬ ¾×¼Ç¢Â ´õ±× ¶óÀ̸¸, Æú ±×¸°±×·¡½º, Åä´Ï ±æ·ÎÀÌ °¨µ¶¢Â ·Î¹öÆ® ·¯µé·³ÀÇ º£½ºÆ®¼¿·¯ ¼Ò¼³ ¿øÀۢ 1Æí 2¾ïõ4¹é¸¸ ´Þ·¯, 2Æí 2¾ï8õ8¹é¸¸ ´Þ·¯, 3Æí 4¾ï4õ2¹é¸¸ ´Þ·¯, 4Æí 2¾ï7õ¸¸ ´Þ·¯ µî Àü¼¼°è ÃÑ 12¾ïõ6¹é¸¸ ´Þ·¯ÀÇ °æÀÌÀûÀÎ ÈïÇà ±â·Ï¢Â DTS-HD MA »ç¿îµå Áö¿ø, Á¦ÀÛ°úÁ¤°ú ÀÎÅͺä, »èÁ¦Àå¸é µî ¹æ´ëÇÑ ½ºÆä¼È ÇÇÃÄ ¼ö·Ïº» ¾ÆÀ̵§Æ¼Æ¼ The Bourne Identity º» ½´ÇÁ¸®¸Ó½Ã Bourne Supremacy°¨µ¶ ´õ±× ¶óÀ̸¸ °¨µ¶ Æú ±×¸°±×·¡½ºÃ⿬ ¸Ë µ¥ÀÌ¸Õ Ã⿬ ¸Ë µ¥À̸ÕÀ帣 ¸ðÇè, ¾×¼Ç, ¹Ì½ºÅ͸® À帣 ¸ðÇè, ¹Ì½ºÅ͸®, ½º¸±·¯µî±Þ 12¼¼ °ü¶÷°¡ µî±Þ 15¼¼ °ü¶÷°¡Á¦ÀÛ¿¬µµ 2002³â Á¦ÀÛ¿¬µµ 2004³â»ó¿µ½Ã°£ 118ºÐ »ó¿µ½Ã°£ 110ºÐº» ¾óƼ¸ÞÀÌÅÒ The Bourne Ultimatum º» ·¹°Å½Ã The Bourne Legacy°¨µ¶ Æú ±×¸°±×·¡½º °¨µ¶ Åä´Ï ±æ·ÎÀÌÃ⿬ ¸Ë µ¥ÀÌ¸Õ Ã⿬ Á¦·¹¹Ì ·¹³ÊÀ帣 ¾×¼Ç, ¹Ì½ºÅ͸®, ½º¸±·¯ À帣 ¾×¼Ç, ¸ðÇè, ½º¸±·¯µî±Þ 12¼¼ °ü¶÷°¡ µî±Þ 15¼¼ °ü¶÷°¡Á¦ÀÛ¿¬µµ 2007³â Á¦ÀÛ¿¬µµ 2012³â»ó¿µ½Ã°£ 115ºÐ »ó¿µ½Ã°£ 135ºÐ
¡á ŸÀÌƲº° »ó¼¼<º» ¾ÆÀ̵§Æ¼Æ¼> ¢ÂȸéºñÀ² : Widescreen 2.35:1¢Â¿Àµð¿À : ¿µ¾î(DTS-HD MASTER AUDIO 5.1), ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î (DTS SURROUND 5.1)¢ÂÀÚ¸· : Çѱ¹¾î, ¿µ¾î, ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î, Áß±¹¾î, µ§¸¶Å©¾î, ³×´ú¶õµå¾î, Çɶõµå¾î, ³ë¸£¿þÀ̾î, Æ÷¸£Åõ°¥¾î, ½º¿þµ§¾î¢Â½ºÆä¼ÈÇÇÃÄ► Feature Commentary with Doug Liman (ÇѱÛÀÚ¸· ¾øÀ½)► The Ludlum Identity (12:45)► The Ludlum Supremacy (12:38)► The Ludlum Ultimatum (23:53)► Alternate Opening and Alternate Ending (11:48)► Deleted Scenes (6:55)► Extended Farmhouse Scene (:57)► The Birth of The Bourne Identity (14:30)► The Bourne Mastermind: Robert Ludlum (5:42)► Access Granted: An Interview with Screenwriter Tony Gilroy (4:00)► From Identity to Supremacy: Jason & Marie (3:34)► The Bourne Diagnosis (3:23)► Cloak and Dagger: Covert Ops (5:28)► Inside a Fight Sequence (4:40)► Moby "Extreme Ways" Music Video (3:30)► BD Live¢ÂÀÛÇ°¼Ò°³¿¬±âÆÄ ¸Ë µ¥À̸ÕÀÇ ÁøÁ¤ÇÑ ¾×¼Ç µ¥ºßÀÛ! ½ºÆÄÀÌ ¾×¼ÇÀÇ Áø¼ö! ÇÑ Á¤Ã¼ºÒ¸íÀÇ ³²ÀÚ°¡ ¾îºÎµé¿¡ ÀÇÇØ Çؾȿ¡¼ ±¸Á¶µÈ´Ù. ±â¾ï »ó½ÇÁõ¿¡ °É¸° ±×´Â ÀÚ½ÅÀÌ ´©±¸ÀÎÁö Á¶Â÷ ¸ð¸£°í, ´Ü¼´Â µî¿¡ ÀÔÀº ÃÑ»ó°ú ½ºÀ§½º ÀºÇàÀÇ °èÁ¹øÈ£ »Ó. ±×´Â ÀÚ½ÅÀÇ ±â¾ïÀ» ÃßÀûÇÏ¸é¼ ±¹Á¦ÀûÀΠøº¸ Á¶Á÷¿¡ ¿¬·çµÇ´Âµ¥¡¦ 1980³âµµ¿¡ Ãâ°£µÈ º£½ºÆ®¼¿·¯ ÀÛ°¡ ·Î¹öÆ® ·¯µé·³ÀÇ ¼Ò¼³À» ¿µÈÈÇÑ ½ºÆÄÀÌ ¾×¼Ç¹°·Î ±×ÀÇ ¡®Á¦À̽¼ º»¡¯ »ïºÎÀÛ Áß Ã¹¹ø° ½Ã¸®Áî. ¾ÆÄ«µ¥¹Ì °¢º»»ó ¼ö»óÀÚÀÌÀÚ <±Â ¼ÎÆÛµå><¿À¼Ç½º 13>µîÀÇ ¿¬±âÆĹè¿ì ¸Ë µ¥À̸ÕÀÌ ÁÖ¿¬À» ¸Ã¾Æ ÃÖ°íÀÇ ¿µ¿õÀ¸·Î ¶°¿Ã¶úÀ¸¸ç <¹Ì½ºÅÍ & ¹Ì¼¼½º ½º¹Ì½º>ÀÇ ´õ±× ¶óÀ̸¸ÀÌ °¨µ¶Çß´Ù.
<º» ½´ÇÁ¸®¸Ó½Ã>¢ÂȸéºñÀ² : Widescreen 2.35:1¢Â¿Àµð¿À : ¿µ¾î(DTS-HD MASTER AUDIO 5.1), ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î (DTS SURROUND 5.1)¢ÂÀÚ¸· : Çѱ¹¾î, ¿µ¾î, ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î, Áß±¹¾î, µ§¸¶Å©¾î, ³×´ú¶õµå¾î, Çɶõµå¾î, ³ë¸£¿þÀ̾î, Æ÷¸£Åõ°¥¾î, ½º¿þµ§¾î¢Â½ºÆä¼ÈÇÇÃÄ► Feature Commentary with Director Paul Greengrass (ÇѱÛÀÚ¸· ¾øÀ½)► Explosive Deleted Scenes (9:43)► Matching Identities: Casting (5:25)► Keeping It Real (4:56)► Blowing Things Up (3:59)► On the Move with Jason Bourne (4:48)► Bourne to be Wild: Fight Training (4:19)► Crash Cam: Racing Through the Streets of Moscow (6:00)► The Go-Mobile Revs Up the Action (6:46)► Anatomy of a Scene: The Explosive Bridge Chase Scene (4:40)► Scoring with John Powell (4:45)► The Bourne Mastermind (part 2, 4:40)► The Bourne Diagnosis (part 2, 5:37)► BD Live¢ÂÀÛÇ°¼Ò°³·Î¹öÆ® ·¯ºí·³ ¿øÀÛÀÇ º£½ºÆ®¼¿·¯ ¡®Á¦À̽¼ º»¡¯½Ã¸®ÁîÀÇ µÎ ¹ø° À̾߱â!±â¾ï»ó½ÇÁõ¿¡ °É¸° ÀüÁ÷ CIAÀÇ ¿ä¿ø Á¦À̽¼ º»Àº ¸ÅÀÏ ¾Ë ¼ö ¾ø´Â ¾Ç¸ù¿¡ ½Ã´Þ¸°´Ù. ±×´Â ¾Ç¸ùÀÌ ¹Ù·Î ÀÚ½ÅÀÌ ¿¹Àü¿¡ ½ÇÁ¦·Î °Þ¾ú´ø ÀÏÀ̶ó°í È®½ÅÇÑ´Ù. ÀÚ½ÅÀ» Á¦°ÅÇÏ·Á´Â CIA¸¦ ÇÇÇØ ¿¬ÀÎ ¸¶¸®¿Í ÇÔ²² ¶°µ¹ÀÌ »ýÈ°À» ÇÏ´ø Áß ¿¬ÀÎ ¸¶¸®°¡ »ìÇصǰí, ÀÚ½ÅÀÌ ¸ðÁ¾ÀÇ À½¸ð¿¡ ¿¬·çµÇ¾î ÀÖÀ½À» ¾Ë°Ô µÈ Á¦À̽¼Àº º¹¼ö¸¦ °á½ÉÇϴµ¥¡¦. ¡®Á¦À̽¼ º»¡¯½Ã¸®ÁîÀÇ µÎ ¹ø° ½Ã¸®Áî·Î ±ä¹ÚÇÏ°í ½º¸± ³ÑÄ¡´Â ½ºÆÄÀÌ ¾×¼ÇÀÇ ¸Å·Â¿¡ ¼öÁßÀå¸é, ³«ÇÏÀå¸é, ÀÚµ¿Â÷ Ãß°ÝÀå¸é µî °í³µµ ½ºÅÏÆ®ÀÇ ¹¦¹Ì°¡ °¡¹ÌµÈ ¾×¼Ç ½º¸±·¯. <ºí·¯µð ¼±µ¥ÀÌ> <ÇöóÀÌÆ® 93>ÀÇ Æú ±×¸°±×·¡½º °¨µ¶ÀÌ ¸Þ°¡ÆùÀ» Àâ¾ÒÀ¸¸ç Àü¹Ì ¹Ú½º¿ÀÇǽº 1À§¸¦ ±â·ÏÇß´Ù.
<º» ¾óƼ¸ÞÀÌÅÒ>¢ÂȸéºñÀ² : Widescreen 2.40:1¢Â¿Àµð¿À : ¿µ¾î(DTS-HD MASTER AUDIO 5.1), ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î (DTS SURROUND 5.1)¢ÂÀÚ¸· : Çѱ¹¾î, ¿µ¾î, ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, ÀϺ»¾î, Áß±¹¾î, µ§¸¶Å©¾î, ³×´ú¶õµå¾î, Çɶõµå¾î, ³ë¸£¿þÀ̾î, Æ÷¸£Åõ°¥¾î, ½º¿þµ§¾î¢Â½ºÆä¼ÈÇÇÃÄ► Feature Commentary with Director Paul Greengrass (ÇѱÛÀÚ¸· ¾øÀ½)► Deleted Scenes (12:19)► Man on the Move: Jason Bourne (23:55)► Rooftop Pursuit (5:37)► Planning the Punches (4:56)► Driving School (3:21)► New York Chase (10:43)► Be Bourne Spy Training (ÇѱÛÀÚ¸· ¾øÀ½)► BD Live¢ÂÀÛÇ°¼Ò°³Ã¸º¸ ¾×¼Ç À帣ÀÇ °ÉÀÛÀ̶ó Æò°¡µÇ¸ç °ü°´°ú Æò´Ü ¸ðµÎ¸¦ ¸¸Á·½ÃŲ º» ½Ã¸®Áî 3Æí! °íµµÀÇ ÈÆ·ÃÀ» ¹ÞÀº ÃÖ°íÀÇ ¾Ï»ì¿ä¿ø Á¦À̽¼ º»Àº ÀÚ½ÅÀ» ¾Ï»ìÀÚ·Î ¸¸µç À̵éÀ» ã´ø Áß ¡®ºí·¢ºê¶óÀ̾¶ó´Â Á¸À縦 ¾Ë°Ô µÈ´Ù. ¡®ºí·¢ºê¶óÀ̾´Â ºñ¹Ð¿ä¿øÀ» ¾ç¼ºÇس»´ø 'Æ®·¹µå½ºÅæ'ÀÌ ±¹¹æºÎ »êÇÏÀÇ ±ØºñÁ¶Á÷À¸·Î ÀçÆíµÇ¸é¼ ´õ¿í ¸·°ÇÑ ÆÄ¿ö¸¦ °¡Áö°Ô µÈ ºñ¹Ð±â°ü. Á¦À̽¼Àº ·±´ø, ¸¶µå¸®µå, ¸ð·ÎÄÚ ±×¸®°í ´º¿å±îÁö Àü¼¼°è¸¦ ½Ç½Ã°£ ÅëÁ¦Çϸç ÀÚ½ÅÀ» Á¦°ÅÇÏ°í ºñ¹ÐÀ» ÀºÆóÇÏ·Á´Â Á¶Á÷°ú ´ë°áÀ» ½ÃÀÛÇϴµ¥¡¦<º» ¾ÆÀ̵§Æ¼Æ¼>¿¡¼ ±â¾ïÀ» ÀÒ°í µµ¸ÁÀÚ°¡ µÇ°í <º» ½´ÇÁ¸®¸Ó½Ã>¿¡¼ »ìÇØµÈ ¿¬ÀÎÀ» À§ÇØ º¹¼ö¸¦ °¨ÇàÇß´ø ±×°¡ ¸ðµç ±â¾ï°ú Áø½ÇÀ» µÇã±â À§ÇØ µ¹¾Æ¿Ô´Ù. Àü¹Ì ¹Ú½º¿ÀÇǽº 1À§, ¿ª´ë Àü¹Ì 8¿ù ¿ÀÇÁ´× 1À§¸¦ ±â·ÏÇÏ¸ç ¡®Á¦À̽¼ º» 3ºÎÀÛ¡¯À» È·ÁÇÏ°Ô Àå½ÄÇß´Ù.
<º» ·¹°Å½Ã>¢ÂȸéºñÀ²: Widescreen 2.40:1¢Â¿Àµð¿À: ¿µ¾î(DTS-HD MASTER AUDIO 5.1), ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, Èùµð¾î(DTS Digital Surround 5.1)¢ÂÀÚ¸·: Çѱ¹¾î, ¿µ¾î, ÇÁ¶û½º¾î, ÀÌÅ»¸®¾Æ¾î, µ¶ÀϾî, ½ºÆäÀξî, Áß±¹¾î, µ§¸¶Å©¾î, ³×´ú¶õµå¾î, Çɶõµå¾î, ¾ÆÀ̽½¶õµå¾î, ³ë¸£¿þÀ̾î, Æ÷¸£Åõ°¥¾î, ½º¿þµ§¾î, Èùµð¾î, ¾Æ¶ø¾î ¢Â½ºÆä¼È ÇÇÃÄ ► Deleted Scenes (6:45)► Deleted Scenes Play with Commentary (6:45 / ÇѱÛÀÚ¸· ¾øÀ½)► Re-Bourne (6:09)► Enter Aaron Cross (7:10)► Crossing Continents: Legacy on Location (8:20)► Man vs. Wolf (4:34)► Wolf Sequence Test (1:38)► Moving Targets: Aaron and Marta (6:09)► Capturing Chaos: The Motorbike Chase (7:47)► Feature Commentary with Director/Co-Writer Tony Gilroy, Co-Writer Dan Gilroy, Editor John Gilroy, Director of Photography Robert Elswit, Second Unit Director Dan Bradley and Production Designer Kevin Thompson (ÇѱÛÀÚ¸· ¾øÀ½)¢ÂÀÛÇ°¼Ò°³À½¸ð´Â ´õ °Å´ëÇØÁö°í, ¾×¼ÇÀº ´õ °ÅÄ¥¾îÁ³´Ù!±¹¹æºÎ¿¡¼ ±Øºñ¸®¿¡ ÁøÇàÁßÀÎ ¾Æ¿ôÄÄ ÇÁ·Î±×·¥¸¦ ÅëÇØ Á¦À̽¼ º»À» ´É°¡ÇÏ´Â ÃÖÁ¤¿¹ ¿ä¿øÀ¸·Î ÈÆ·Ã ¹ÞÀº ¾Ö·Ð Å©·Î½º. Á¦À̽¼ º»¿¡ ÀÇÇØ CIAÀÇ Æ®·¹µå½ºÅæÀÇ Á¸Àç°¡ ¼¼»ó¿¡ ¾Ë·ÁÁöÀÚ, ¾Æ¿ôÄÄ ÇÁ·Î±×·¥ ¿ª½Ã º¸¾ÈÀ» º¸ÀåÇÒ ¼ö ¾ø°Ô µÈ´Ù. ÇÁ·Î±×·¥ÀÇ ¼öÀåÀÎ ¹ÙÀ̾î´Â °¢±¹ÀÇ ¸ðµç 1±Þ ¿ä¿øµéÀº ¹°·Ð, ¾Æ¿ôÄÄ ÇÁ·Î±×·¥À» °¡Àå Àß ¾Ë°í ÀÖ´Â ¿¬±¸¿ø ¸¶¸£Å¸±îÁö Á¦°ÅÇØ ¸ðµç Áõ°Å¸¦ ¾ø¾Ö·Á Çϴµ¥¡¦ ¡®º» ½Ã¸®Á ÀüÆíÀÇ °¢º»À» µµ¸Ã¾Ò´ø Åä´Ï ±æ·ÎÀÌ°¡ À̹ø¿¡´Â °¢º»¿¡ ÀÌ¾î ¿¬Ãâ±îÁö ¸Ã¾Æ ÈÁ¦¸¦ ¸ðÀº ³×¹ø° ½Ã¸®Áî. <¾îº¥Á®½º>ÀÇ ¶°¿À¸£´Â ¾×¼Ç ½ºÅ¸ Á¦·¹¹Ì ·¹³Ê°¡ ÁÖÀΰø ¡®¾Ö·Ð Å©·Î½º¡¯ ¿ªÀ» ¸Ã¾Æ ¸öÀ» ¾Æ³¢Áö ¾Ê´Â ¿¬±â ÅõÈ¥À» ¼±º¸ÀδÙ. ij³ª´Ù, Çʸ®ÇÉ, ±×¸®°í Çѱ¹À¸·Î À̾îÁø ·ÎÄÉÀ̼ǰú ´ë±Ô¸ðÀÇ ¿ÀÄɽºÆ®¶ó¸¦ µ¿¿ø, »õ·Î¿î ¸®¹Í½º ¹öÀüÀ¸·Î µ¹¾Æ¿Â ÁÖÁ¦°î ¡®ÀͽºÆ®¸² ¿þÀÌ¡¯´Â ±ØÀû ±äÀå°ú ½º¸±À» ¹è°¡½ÃŲ´Ù.
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